Born in Santa Fe, New Mexico, 1989
Lives and works in Brooklyn, New York
2015 MFA, Yale School of Art, New Haven, CT
2011 BA, Bard College, Annandale-on-Hudson, NY
Solo and Two-Person Exhibitions
Bacchante by the Sea, Geukens and De Vil, Knokke, Belgium
Dances with Atoms, Rhona Hoffman Gallery, Chicago, IL
As it resembled a bird it was as if she could flyn Geukens & DeVil, Antwerp, Belgium
Oracles, Luce Gallery, Turin, Italy
I long and seek after, Tilton Gallery, New York, NY
Cimarron, Martha Tuttle and Henry Chapman, Rhona Hoffman Gallery, Chicago, IL
Metaxu, Tilton Gallery, New York, NY
Nesticulations, Martha Tuttle and Laurie Kang, In Limbo, Brooklyn, NY
Selected Group Exhibitions
The Garden of Cyrus, Fortnight Institute, New York, NY
Polishing the Jewel Box, Underdonk/Disturb the Neighbors, Brooklyn, NY
The Land That I Live In, Matthew Brown Los Angeles, Los Angeles, CA
Room for Failure, curated by Omar López-Chahoud, Piero Atchugarry Gallery, Miami, FL
Complicated Territory: Alex McQuilkin, Erin Riley, Martha Tuttle, curated by Bridget Donlon, Dorsky Gallery, Long Island City, NY
Veils, Hiram Butler Gallery, Houston, TX
Sutures, Marc Straus, New York, NY
Sculpture Garden, ArtLot, Brooklyn, NY
Silent Transformations, Deli Gallery, Queens, NY
Among Friends, With DUMBO Open Studios, Brooklyn, NY
Parallel Practices, Western Connecticut State University, Danbury, CT.
A Simple Fraction, Doyers, New York, NY (Curated by Deb Singer)
Alan Shields Project, Van Doren Waxter, New York, NY
Anna Betbeze, Brandon Ndife, Martha Tuttle, and Jessica Vaughn, Halsey McKay Gallery, East Hampton, NY; organized by Nicole Klagsbrun
Selvedge, Able Baker Contemporary, Portland, ME
Wash, Rose Arcade, Joshua Tree, CA
Dangerous Educators, Triumph, Chicago, IL
Form of Touch, SVA Curatorial, curated by Becky Nahom, NY
14 Artists Dealing with Paper, LMAK Gallery, New York, NY
Summer Reading, The Fortnight Institute, New York, NY
Raylets, Radical Abacus, Santa Fe, NM
It’s After the End of the World, Distillery Gallery, Boston, MA
Utilities, Radical Abacus, Santa Fe, NM
Yale Graduates 2015, Garis and Hahn Gallery, New York, NY
2015 But Who's Counting?, Yale School of Art, New Haven, CT (Thesis Exhibition)
Rock-Paper-Scissors-Lizard-Spock, Yale School of Art, New Haven, CT
Currents International New Media Festival, Santa Fe, NM
Untitled, Treize Gallery, Paris, France
Each Moment We Live Our Lives Shine, The Cullom Gallery, Seattle, WA
Fabric as Form, Tilton Gallery, NY, NY
The Rivers are the Veins, Bard College, Annandale-on-Hudson, NY
Awards and Residencies
Sharpe-Walentas Studio Program, Brooklyn, N.Y.
Søndre Green Farm Residency, Noresund, Norway
A-Z West, Artist Residency, Joshua Tree, CA
The Ucross Foundation Artist Residency, Ucross, WY
Research Fellowship, The Beinecke Rare Books and Manuscripts Library, Yale University
The Josef Albers Foundation Traveling Fellowship
Artist-in-Residence, New Mexico School of Poetics, Ojo Caliente, NM
Grin City Collective National Emerging Artist Residency, Grinnell, IA
Ellen Battell Stoeckel Fellowship, Yale Norfolk Summer School of Art and Music
The University of San Diego, San Diego, CA
The Museum of Modern Art, New York, NY
Lecture and Symposia
Language Weavers, Wendy’s Subway Reading Series, Bard Graduate Center, New York, NY
Student Art Alliance Lecture Series, SUNY Purchase, Purchase, NY (forthcoming)
Allen Shields Project (moderated by Dan Byers in conjunction with the installed exhibition), Van Doren Waxter Gallery, New York, NY
“Tuesday Evenings at the Modern,” Modern Art Museum of Fort Worth, Fort Worth, TX
“Agnes Martin: Variations of the Faith Mind,” SUNY Purchase, Purchase, NY.
“A Life in Art,” New Mexico Committee of the National Museum of Women in the Arts, Santa Fe, N.M.
“Becoming Artists: Critique, Originality, and Identity,” Yale Art Gallery, New Haven, CT
Zonca, Giulia, Una Finestra aperta per risvegliare I sensi, La Stampa, May 26th, 2018 (Italy)
Alan Shields Project, The New Yorker, February, 2018
Nodelman, Blair. “Weaving Dialogues: The White Card and Martha Tuttle”. ArtsEmerson, March 25th, 2018. http://artsemersonblog.org/2018/03/15/weaving-dialogues-the-white-card-and-martha-tuttle/
MacAdam, Arthur. “Martha Tuttle: I long and seek after.” The Brooklyn Rail, January 7, 2018. https://brooklynrail.org/2018/02/artseen/Martha-Tuttle-I-long-and-seek-after
Grabner, Michele. “Martha Tuttle and Henry Chapman: Rhona Hoffman Gallery.” Artforum, November 2017.
Segal, Mark. “Duncan and Burgos at Halsey Mckay.” The East Hampton Star, August 31, 2017.
Kany, Daniel. “Fiber and painting grow closer in exhibit at Able Baker Contemporary.” Portland Press Herald, July 30, 2017.
Schroeder, Nick. “A Show of Support- Able Baker’s ‘Selvedge’ Sees Painting Through a Totally Different Grain.” The Portland Phoenix, July 18, 2017.
“’Cimarron’ by Martha Tuttle & Henry Chapman at Rhona Hoffman Gallery, Chicago.”Blouin ArtInfo, July 11, 2017.
“Martha Tuttle.” THE Magazine, April 2016.
Bui, Phong. “Martha Tuttle: Metaxu.” The Brooklyn Rail, February 3, 2016.
Ebony, David. “David Ebony’s Top 10 New York Gallery Shows This Winter.” Artnet news, January 29, 2016.
Munro, Cait. “Martha Tuttle’s Tilton Gallery Show Breaks From Millennial Stereotypes.” Artnet news, January 25, 2016.
Plagens, Peter. “Yale, RISD MFAs Go on Display.” The Wall Street Journal. July 17, 2015.
Munro, Cait. “14 of the Best Summer Gallery Group Shows in New York.” Artnet news, July 6, 2015.
Berkovitch, Ellen. “Radical Abacus: Offsites, Arte Povera and the Persistent Object.” Adobe Airstream. 2015.
“Martha Tuttle Interview.” 365 Artists/365 Days.com. January 18, 2015
“Works in Rare Earth.” The Santa Fe New Mexican. May 24, 2013.
Nachmany, Tamar. “Santa Fe: It’s a Small and Arty World.” Artsicle.com. July 11, 2012.