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MARTHA TUTTLE

Born in Santa Fe, New Mexico, 1989

Lives and works in Brooklyn, New York

 

2015 MFA, Yale School of Art, New Haven, CT

2011 BA, Bard College, Annandale-on-Hudson, NY

 


Solo and Two-Person Exhibitions

2020

Outlooks: Martha Tuttle, Storm King Art Center, New Windsor, NY
Constellations I drew in Nevada, Luce Gallery, Turin, Italy

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2019

Bacchante by the Sea, Geukens and De Vil, Knokke, Belgium
Dances with Atoms, Rhona Hoffman Gallery, Chicago, IL

2018

As it resembled a bird it was as if she could flyn Geukens & DeVil, Antwerp, Belgium

Oracles, Luce Gallery, Turin, Italy

I long and seek after, Tilton Gallery, New York, NY

 

2017

Cimarron, Martha Tuttle and Henry Chapman, Rhona Hoffman Gallery, Chicago, IL

 

2016

Metaxu, Tilton Gallery, New York, NY

Nesticulations, Martha Tuttle and Laurie Kang, In Limbo, Brooklyn, NY

 

 

Selected Group Exhibitions
2020               
Abstract! Minimalism to Now, Tilton Gallery, New York, NY


2019
Embodying: Flesh, Fiber, Features, Galleria Anna Marra, Rome, Italy

In with the New, Artual Gallery, Beirut, Lebanon

The Garden of Cyrus, Fortnight Institute, New York, NY
Polishing the Jewel Box, Underdonk/Disturb the Neighbors, Brooklyn, NY
The Land That I Live In, Matthew Brown Los Angeles, Los Angeles, CA
Room for Failure, curated by Omar López-Chahoud, Piero Atchugarry Gallery, Miami, FL

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2018    

Complicated Territory: Alex McQuilkin, Erin Riley, Martha Tuttle, curated by Bridget Donlon, Dorsky Gallery, Long Island City, NY

Veils, Hiram Butler Gallery, Houston, TX

Sutures, Marc Straus, New York, NY

Sculpture Garden, ArtLot, Brooklyn, NY

Silent Transformations, Deli Gallery, Queens, NY

Among Friends, With DUMBO Open Studios, Brooklyn, NY

Parallel Practices, Western Connecticut State University, Danbury, CT.

A Simple Fraction, Doyers, New York, NY (Curated by Deb Singer)

Alan Shields Project, Van Doren Waxter, New York, NY 

 

2017

Anna Betbeze, Brandon Ndife, Martha Tuttle, and Jessica Vaughn, Halsey McKay Gallery, East Hampton, NY; organized by Nicole Klagsbrun

Selvedge, Able Baker Contemporary, Portland, ME

Wash, Rose Arcade, Joshua Tree, CA

Dangerous Educators, Triumph, Chicago, IL

Form of Touch, SVA Curatorial, curated by Becky Nahom, NY

 

2016  

14 Artists Dealing with Paper, LMAK Gallery, New York, NY

Summer Reading, The Fortnight Institute, New York, NY

Raylets, Radical Abacus, Santa Fe, NM

 

2015    

It’s After the End of the World, Distillery Gallery, Boston, MA

Utilities, Radical Abacus, Santa Fe, NM

Yale Graduates 2015, Garis and Hahn Gallery, New York, NY

2015 But Who's Counting?, Yale School of Art, New Haven, CT (Thesis Exhibition)

 

2014  
Rock-Paper-Scissors-Lizard-Spock, Yale School of Art, New Haven, CT

Currents International New Media Festival, Santa Fe, NM

 

2013

Untitled, Treize Gallery, Paris, France

 

2012  
Each Moment We Live Our Lives Shine, The Cullom Gallery, Seattle, WA

 

2011  
Fabric as Form, Tilton Gallery, NY, NY

The Rivers are the Veins, Bard College, Annandale-on-Hudson, NY

 


Awards and Residencies

2019               
The Rauschenberg Residency, The Rauschenberg Foundation, Captiva, FL
Montello Foundation Residency, Montello, NV
DNA Residency, Provincetown, MA

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2018              

Søndre Green Farm Residency, Noresund, Norway

 

2017  

Sharpe-Walentas Studio Program, Brooklyn, N.Y.
A-Z West, Artist Residency, Joshua Tree, CA

 

2016  
The Ucross Foundation Artist Residency, Ucross, WY

 

2014  

Research Fellowship, The Beinecke Rare Books and Manuscripts Library, Yale University

The Josef Albers Foundation Traveling Fellowship

 

2012  
Artist-in-Residence, New Mexico School of Poetics, Ojo Caliente, NM

 

2011

Grin City Collective National Emerging Artist Residency, Grinnell, IA

 

2010  
Ellen Battell Stoeckel Fellowship, Yale Norfolk Summer School of Art and Music

 

 

Collections

The University of San Diego, San Diego, CA

The Museum of Modern Art, New York, NY

 


Lecture and Symposia

2018

Language Weavers, Wendy’s Subway Reading Series, Bard Graduate Center, New York, NY

Student Art Alliance Lecture Series, SUNY Purchase, Purchase, NY (forthcoming)

 

2017

Allen Shields Project (moderated by Dan Byers in conjunction with the installed exhibition), Van Doren Waxter Gallery, New York, NY

 

2016

“Tuesday Evenings at the Modern,” Modern Art Museum of Fort Worth, Fort Worth, TX

“Agnes Martin: Variations of the Faith Mind,” SUNY Purchase, Purchase, NY.

 “A Life in Art,” New Mexico Committee of the National Museum of Women in the Arts, Santa Fe, N.M.

 

2014

“Becoming Artists: Critique, Originality, and Identity,” Yale Art Gallery, New Haven, CT

 


Bibliography

Bouhassira, Elza. "New Storm King Art Exhibit Features Glass, Marble, and Glacial History." Earth Institute, October 7, 2020. 
https://blogs.ei.columbia.edu/2020/10/07/storm-king-art-exhibit-glacial-history/

Bury, Louis. "Martha Tuttle's Sentient STones at Storm King." Hyperallergic, September 5, 2020.
https://hyperallergic.com/582225/martha-tuttles-sentient-stones-at-storm-king/

Wally, Maxine. "After Months of Online Viewing Rooms, Outdoor Art Exhibitions Fill the Void."
W Magazine, September 1, 2020.
https://www.wmagazine.com/story/outdoor-art-exhibitions-storm-king-moma-clark-art-institute-christies/

Farago, Jason. "Storm King Reopens for the Art-Starved." New York Times, July 9, 2020. 
https://www.nytimes.com/2020/07/09/arts/design/storm-king-reopens.html

Weaver, Shane. "Storm King is reopening this month with brand-new outdoor artworks." Time Out, July 1, 2020.
https://www.timeout.com/newyork/news/storm-king-is-reopening-this-month-with-brand-new-outdoor-artworks-070120

Belblidia, Nora. "Softening Social Distancing: Poets and Listeners Connect through 'Phone Call'." April 17, 2020.
https://bmoreart.com/2020/04/softening-social-distancing-poets-and-listeners-connect-through-phone-call.html

Leahy, Brian T. “Martha Tuttle.” Artforum, October 2019.
https://artforum.com/print/reviews/201908/martha-tuttle-80867

DeLand, Lauren. “Martha Tuttle’s Textiles Merge Modernist Aesthetics with Molecular Theory.” Art in America, September 23, 2019.
https://www.artinamericamagazine.com/reviews/martha-tuttles-textiles-merge-modernist-aesthetics-with-classical-theories-matter/

Vogel, Maria. “Martha Tuttle Embodies the Natural World.” Art of Choice, January 30, 2019.
https://www.artofchoice.club/2019/01/30/martha-tuttle-embodies-the-natural-world/

“Martha Tuttle: ‘Oracles’ at Luce Gallery, Turin.” Blouin ArtInfo, June 13, 2018.
http://www.blouinartinfo.com/news/story/3093757/martha-tuttle-oracles-at-luce-gallery-turin

MacAdam, Arthur. “Martha Tuttle: I long and seek after.” The Brooklyn Rail, January 7, 2018.
https://brooklynrail.org/2018/02/artseen/Martha-Tuttle-I-long-and-seek-after

Grabner, Michele. “Martha Tuttle and Henry Chapman: Rhona Hoffman Gallery.” Artforum, November 2017.

Segal, Mark. “Duncan and Burgos at Halsey Mckay.” The East Hampton Star, August 31, 2017.
http://easthamptonstar.com/Arts/2017831/Art-Scene-083117

Kany, Daniel. “Fiber and painting grow closer in exhibit at Able Baker Contemporary.” Portland Press Herald, July 30, 2017.
http://www.pressherald.com/2017/07/30/art-review-fiber-and-painting-grow-closer/

Schroeder, Nick. “A Show of Support- Able Baker’s ‘Selvedge’ Sees Painting Through a Totally Different Grain.” The Portland Phoenix, July 18, 2017.
https://www.conwaydailysun.com/portland_phoenix/arts/a-show-of-supportable-baker-s-selvedge-sees-painting/article_c3d51e80-ea42-5749-a6a84ef1592460c7.html

“’Cimarron’ by Martha Tuttle & Henry Chapman at Rhona Hoffman Gallery, Chicago.”Blouin ArtInfo, July 11, 2017.
http://www.blouinartinfo.com/news/story/2338967/cimarron-by-martha-tuttle-henry-chapman-at-rhona-hoffman

“Martha Tuttle.” THE Magazine, April 2016.

Bui, Phong. “Martha Tuttle: Metaxu.” The Brooklyn Rail, February 3, 2016.

Ebony, David. “David Ebony’s Top 10 New York Gallery Shows This Winter.” Artnet news, January 29, 2016.

Munro, Cait. “Martha Tuttle’s Tilton Gallery Show Breaks From Millennial Stereotypes.” Artnet news, January 25, 2016.

Plagens, Peter. “Yale, RISD MFAs Go on Display.” The Wall Street Journal. July 17, 2015.

Munro, Cait. “14 of the Best Summer Gallery Group Shows in New York.” Artnet news, July 6, 2015.

Berkovitch, Ellen. “Radical Abacus: Offsites, Arte Povera and the Persistent Object.” Adobe Airstream. 2015.

“Martha Tuttle Interview.” 365 Artists/365 Days.com. January 18, 2015.

“Works in Rare Earth.” The Santa Fe New Mexican. May 24, 2013.

Nachmany, Tamar. “Santa Fe: It’s a Small and Arty World.” Artsicle.com. July 11, 2012.

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